The undisputed King of Shock Rock has made electrocutions and decapitations staples of his live performances for the past several decades, and it’s these qualities (in addition to a catalog of respected hard rock anthems) that landed Cooper the role of the special guest on Motley Crue’s ongoing ‘All Bad Things Must Come to an End’ farewell tour.
Although some longtime listeners may not have expected the veteran shock rocker to record a covers album, Cooper took up the challenge because, well, he’d never previously done one in his career, and was determined to make the end result particularly standout.
The hard rock group have mutually decided that this is the most fitting way to conclude their final run, however special guest Alice Cooper has another idea in mind: a public execution of the four band members, followed by an auctioning of their heads.
The show also landed on the birthday of Dave Grohl, and although some fans thought something special was in store, none could have anticipated the staggering amount of talent which would go on to appear alongside the rock group over the course of the evening.
While all things are subject to change at a moment’s notice, from the latest reports there is an impressionable compilation of new material slated for release from an arsenal of rock and metal athletes throughout 2015. Just as this past year was vividly decorated by an assortment of fulfilling comebacks and hard hitting regular installments, these upcoming twelve months are quickly proving to be no different than their predecessors.
Between the effort’s beneficial cause and the high octane performance from the undisputed King of Shock Rock it contains, ‘Raise the Dead: Live From Wacken’ was recently named the Best Live DVD of 2014 by an audience of nearly 100,000 readers.
As any one of our casual readers could tell you, 2014 has been quite the memorable year in the world of rock and metal music. Aside from a compilation of impressionable return-to-forms, unforeseeable comebacks, formidable new collaborations and anticipated reunions, we’ve also paid witness to a proud compilation of engaging tours, music videos and live efforts.
The King of Shock Rock is the subject of the first in a new line of live recordings from UDR, all of whom will focus on documented performances which have taken place at the Wacken Open Air music festival. This is a fitting decision; after all, which veteran rocker can deliver a more formidable live performance than Alice Cooper, especially without the widely implemented aid of face melting pyrotechnics?
Alice Cooper essentially rewrote the definition of a concert by implementing a broad variety of gruesome theatrics while refraining from the overt use of pyrotechnics, instead allowing his stage persona to remain the undivided center of attention, and Cooper feels today’s female pop artists have copied this same style for their own live shows.
As we previously reported, ‘The Art of McCartney’ assembles a prominent assortment of artists varying from hard rock icons to the latest pop musicians, with particularly emphasis placed on the former. In preparation of the effort’s November 18 release date, Alice Cooper’s take on The Beatles’ classic “Eleanor Rigby” has surfaced, which shows the undisputed King of Shock Rock respectfully straying close to the original version while introducing elements of his own approach.